film director
Already on 12 episodes across 10 shows — and counting.
Access this entire 115 minute episode (and additional monthly bonus episodes) by becoming a Junk Filter patron! https://www.patreon.com/posts/225-prefab-steve-144565815 On the second episode of our Prefab Sprout series, I am joined by Vanity Fair staff writer Erin Vanderhoof for a detailed discussion of the band’s second album, Steve McQueen. Released in 1985, Steve McQueen was produced by a fan of the band, Thomas Dolby, who handpicked a selection of Paddy McAloon's older songs (some dating back to his late teens). The goal was to create a commercially appealing, modern pop record that still captured McAloon’s idiosyncratic brilliance. The critically-acclaimed album was a modest hit in the UK but made little splash in America, where it was released as Two Wheels Good to avoid issues with Steve McQueen’s estate. Forty years later, it is amazing how fresh this distinctly '80s album still sounds. It’s a rich blend of rock, jazz, country, adult contemporary, and show tunes, finished with a beautiful electronic polish. Dolby’s perfect production showcases McAloon's sophisticated songs about heartbreak and complicated feelings, alongside the masterful musicianship of the band, notably featuring the key arrival of drummer Neil Conti. During our track-by-track discussion, we reveal how we each got Sproutpilled, debate whether the band deserved the UK "Sophisti-Pop" label, explore their notable popularity in Italy, and share our hopes for a future Spike Lee Prefab Sprout movie musical. Follow Erin Vanderhoof on Bluesky and follow her work at Vanity Fair . My thanks to the Sproutology website, the ultimate online resource for the band. " Thriller in England : Steve McQueen by Prefab Sprout at 40" by Fergal Kinney, for The Quietus, June 10, 2025 Live performance of When Love Breaks Down from The Old Grey Whistle Test , 1985 Live performance of Goodbye Lucille #1 (aka Johnny Johnny) , from The Tube , 1986 Appetite from the 1986 Sanremo Music Festival London in Love , from a series of Burberry 2025 adverts soundtracked by When Love Breaks Down.
Steve McQueen is one of Britain’s most acclaimed filmmakers and artists. He is the recipient of the Academy Award for Best Picture, two BAFTA Awards, the Caméra d’Or, a Golden Globe, and the Turner Prize. McQueen’s work includes his first feature-length film Hunger about Bobby Sands and the 1981 Irish hunger strike, the Oscar-winning 12 Years a Slave, the BBC anthology Small Axe, and his most recent film Blitz. In April 2025 McQueen joined us live on the Intelligence Squared stage to discuss the themes of his new book Resistance. Accompanied by a major exhibition of the same name at Turner Contemporary, Resistance is a landmark collection of photographs and essays charting a century of British activism. Speaking alongside author Gary Younge, McQueen explored the power of collective action and uncover the often-overlooked stories of individuals who have been instrumental in forming modern Britain. McQueen discussed how acts of resistance have shaped Britain and the powerful role of photography as a catalyst for change. From the radical suffrage movement in 1903 through key moments including the Battle of Cable Street, the Black People’s Day of Action, Greenham Common Women’s Peace Camp and the Miners’ Strike; onto protests against environmental destruction, struggles for LGBTQ+ and disability rights; and the largest protest in Britain’s history: the march against the War in Iraq in 2003. ----- If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices
Steve McQueen is one of Britain’s most acclaimed filmmakers and artists. He is the recipient of the Academy Award for Best Picture, two BAFTA Awards, the Caméra d’Or, a Golden Globe, and the Turner Prize. McQueen’s work includes his first feature-length film Hunger about Bobby Sands and the 1981 Irish hunger strike, the Oscar-winning 12 Years a Slave, the BBC anthology Small Axe, and his most recent film Blitz. In April 2025 McQueen joined us live on the Intelligence Squared stage to discuss the themes of his new book Resistance. Accompanied by a major exhibition of the same name at Turner Contemporary, Resistance is a landmark collection of photographs and essays charting a century of British activism. Speaking alongside author Gary Younge, McQueen explored the power of collective action and uncover the often-overlooked stories of individuals who have been instrumental in forming modern Britain. McQueen discussed how acts of resistance have shaped Britain and the powerful role of photography as a catalyst for change. From the radical suffrage movement in 1903 through key moments including the Battle of Cable Street, the Black People’s Day of Action, Greenham Common Women’s Peace Camp and the Miners’ Strike; onto protests against environmental destruction, struggles for LGBTQ+ and disability rights; and the largest protest in Britain’s history: the march against the War in Iraq in 2003. ----- This is the first instalment of a two-part episode. If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices
On this episode of Speeding Bullitt: The Life and Films of Steve McQueen, I'm joined by Marshall Terrill, writer and Steve McQueen expert. Together, we explore McQueen's relationship with his third wife, Barbara Minty, his struggle with Mesothelioma, and his passing on November 7, 1980.
Not only was Steve McQueen one of the biggest movie stars of the 1960s and 70s, he was also one of the coolest dressers in Hollywood. Nick Guzan from the blog BAMF Style joins me to discuss Steve McQueen’s most iconic looks, and provides pointers on how to dress like Steve McQueen.
This week on the Film at Lincoln Center podcast, we’re presenting a conversation with Steve McQueen, the director of Small Axe, and Dennis Lim, Director of Programming for Film at Lincoln Center and the New York Film Festival. Among the most remarkable achievements in recent world cinema, Steve McQueen’s anthology Small Axe consists of five films that stirringly chronicle the experiences of London’s West Indian immigrant community across a tumultuous period from the 1960s through the 1980s. Each film is a distinct and singular work in its own right; taken together, they form a powerful, complex, immersive, and endlessly rich historical portrait of oppression, resistance, and survival, glimpsed through the prism of the post-colonial experience. Join Film at Lincoln Center to celebrate McQueen’s accomplishment with a series of screenings of all five films within Small Axe, including a special two-week run of Lovers Rock, the Opening Night Film at the 58th New York Film Festival. See Steve McQueen's Small Axe, along with over 30 other NYFF58 selections, at Film at Lincoln Center’s theaters during Big Screen Summer. All screenings of Alex Wheatle and Education are free to the general public! Reserve your tickets on our website while they're still available. Get tickets at filmlinc.org/nyff58redux
The Bafta Awards feel a bit different this year, especially after #BaftaSoWhite around the time of the last one. In 2021 there's more representation, with Small Axe, I May Destroy You and the Defending Digga D documentary all being recognised. In today's episode De-Graft and Roshan are in conversation with Small Axe director, Steve McQueen, Tiana Major9 (who features on the Small Axe soundtrack), and Dennis Bovell, the man behind Lovers Rock. Hosts: De-Graft Mensah and Roshan Roberts Producer: Seren Jones, Kameron Virk Sound Designer: Seren Jones and Sam Bonham Assistant Editor: Sam Bonham Editor: Dino Sofos Track Listing: 00:00 Being the only Black person, ft. De-Graft, Roshan and Tiana Major9 02:42 BAFTA nominations 05:09 Representation in TV 05:45 Black stories that get commissioned 08:19 Introducing Steve McQueen and Dennis Bovell 15:54 In conversation with Tiana Major9 26:03 Peace out Credit to Turbine Studios and Lamas Parks production, who produced the Small Axe mini series with BBC Studios.
Sean Bobbitt thinks good cinematography is composed of a series of very carefully crafted and decided upon images. He began his career as a news camera shooter, but once he began to work on documentaries and features, Sean learned that each shot is not just coverage to edit together. After working in news and documentary for several years, Sean decided he wanted to transition into working on dramatic films, so he took a cinematography class with acclaimed cinematographer Billy Williams, and it changed his life. He knew he wanted to become a cinematographer. He soon got his first feature film job working on Wonderland, directed by Michael Winterbottom. Judas and the Black Messiah is a gripping biographical drama about FBI informant William O'Neal and Black Panther Chairman Fred Hampton. O'Neil is a small-time criminal who agrees to go undercover for the FBI and infiltrate the Chicago headquarters of the Black Panthers. O'Neal's tips directly result in Chairman Hampton's assassination in his bed by police in 1969. Sean found the script gripping and incredibly relevant to today's ongoing issues of racial inequality. He realized he knew little about the Black Panthers and this chapter of racial injustice in America, and he needed to help tell the story. After reading the script, Sean met with director Shaka King, who brought hundreds of stills of the Black Panthers and talked Sean through the screenplay. Together, Sean and King began to explore what they wanted to visually create. The photographs became the basis for the look and color palette of the film. All the color photos were Kodachrome or Ektachrome, so they had a slightly faded look. Sean wanted high contrasts with punchy primary colors and worked closely with the DIT to get the color grade for the look he wanted. Previously, Sean had worked on a few biopics with director Steve McQueen, such as 12 Years a Slave and Hunger. Sean finds McQueen a very unique artist and a fantastic collaborator. They've worked together for so long that they are very good at communicating on set. McQueen loves long takes, and really began exploring those with Hunger- the film features a 16 and a half minute take, based on the idealogical concept that if you simply hold the frame, the audience begins to project themselves into the action. If there's no cut, the audience can't be reminded it's a film and can't be let off the hook. Sean learned to compose very considered frames where the action happens. One of the main concepts of the movie Shame was that most New Yorkers live their lives in high rises in the air, and the characters in the film only came down for sordid reasons. Most of the takes in Shame are also very long and purposefully make the viewer feel uncomfortable. You can watch Judas and the Black Messiah in select theaters and streaming on HBO Max. https://www.judasandtheblackmessiah.com/ Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep114/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
Award-winning filmmaker, Steve McQueen, joins Paul Gilroy for a conversation on the motivation for his Small Axe film series. McQueen addresses making something that is Black and beautiful in depicting justice and freedom, and how art can give recognition to Black British lives by shoring up “who we are, where we came from and what we contributed to this country” . Transcript: www.ucl.ac.uk/racism-racialisation/transcript-conversation-steve-mcqueen This conversation was recorded on 26th October 2020 Speakers: Paul Gilroy , Director of the UCL Sarah Parker Remond Centre // Steve McQueen, Academy Award-winning filmmaker and artist; creator and director of Small Axe Image: Photo by John Russo Producer and Editor: Kaissa Karhu www.ucl.ac.uk/racism-racialisation/podcasts Hosted on Acast. See acast.com/privacy for more information.
Award-winning filmmaker, Steve McQueen, joins Paul Gilroy for a conversation on the motivation for his 'Small Axe' film series. McQueen addresses making something that is Black and beautiful in depicting justice and freedom, and how art can give recognition to Black British lives by shoring up “who we are, where we came from and what we contributed to this country”. Transcript: www.ucl.ac.uk/racism-racialisation/transcript-conversation-steve-mcqueen This conversation was recorded on 26th October 2020 Speakers: Paul Gilroy, Director of the UCL Sarah Parker Remond Centre // Steve McQueen, Academy Award-winning filmmaker and artist; creator and director of 'Small Axe' Image: Photo by John Russo Producer and Editor: Kaissa Karhu www.ucl.ac.uk/racism-racialisation/podcasts
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