Shonda RhimesEvery podcast appearance, updated as new ones drop

Send us Fan Mail Navigating New Beginnings and Finding Balance In this episode of No Other Skills, MD, Dr. JJ and Dr. Domi dive into the intersections of medicine, personal growth, and pop culture. They discuss new job experiences, managing stress, the importance of exercise, and their thoughts on real estate investments and side hustles. Additionally, they touch on recent news, including the Epstein case, lessons from Shonda Rhimes and the captivating Super Bowl halftime show. Join us for candid conversations and insights as the doctors navigate their professional and personal lives. 00:00 Introduction and Podcast Overview 00:42 Catching Up: New Jobs and Travels 04:04 Exercise Struggles and Health 07:34 Epstein Updates and Networking 14:48 New Job Experiences and Reflections 22:15 Shonda Rhimes' Disney Departure 23:09 Valuing Yourself in Medicine 26:36 Exploring Real Estate Investments 34:12 The Pit: Medical Drama Insights 36:31 Super Bowl and Cultural Reflections 40:52 Podcast Conclusion and Farewell Please Rate, Review & Subscribe! Find us on: Apple Podcasts, Spotify, Amazon Music, iHeart Radio and literally everywhere podcasts are available. Follow us on: Instagram: @NoOtherSkillsMD TikTok: @NoOtherSkillsMD Twitter/X: @NoOtherSkillsMD

This episode is a MUST listen. If you’ve ever felt stuck, small, or tired of letting fear dictate your life, you need to hit play. This is the most eye-opening, empowering conversation you’ll hear this year. It’s time to stop playing small. There’s a bigger possibility for your life, you are more capable than you know, and you can manifest the future you want. Today’s episode will show you how. In it, Mel is joined by Shonda Rhimes. Shonda is one of the most powerful voices in entertainment history. She’s the creator of Grey's Anatomy and Scandal and the Executive Producer of Bridgerton and How To Get Away With Murder. She’s won Golden Globes, Emmys, broken records, and built Shondaland, a global storytelling empire. But this is not a conversation about groundbreaking TV shows. It’s about taking your life back. Shonda reveals that despite all her success, she was still living in fear. Still hiding. And in this conversation, Shonda will challenge you to do the same things she started doing: to stop doubting yourself, stop waiting for permission, and start saying YES, even when it’s terrifying. This is a masterclass in courage, clarity, and finding your power. By the time it’s over, you won’t just believe change is possible. You’ll know it is. Because the life you want? It’s on the other side of YES. And it starts right now. For more resources, click here for the podcast episode page. Get Shonda’s book, “The Year of Yes: 10th Anniversary Edition,” here . If you liked the episode, check out this one next: 3 Questions to Ask Yourself to Figure Out What You Really Want Connect with Mel: Get Mel’s newsletter, packed with tools, coaching, and inspiration. Get Mel’s #1 bestselling book, The Let Them Theory Watch the episodes on YouTube Follow Mel on Instagram The Mel Robbins Podcast Instagram Mel's TikTok Subscribe to SiriusXM Podcasts+ to listen to new episodes ad-free Disclaimer Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Cinematographer Jeffrey Jur chose the path of filmmaker not just as a job, but to put something out into the world that he finds personally wonderful and amazing. He sees filmmaking as a way to express what he says to the world visually and photographically. Jeff always tries to find projects that reflect a part of him and keep him creatively inspired. For the Netflix series Bridgerton, executive producer Shonda Rhimes and the series directors knew the show needed to have a “female gaze” when it came to the sex scenes, emphasizing female pleasure and desire, bringing the series a refreshing, contemporary feel in spite of the historic setting. Jeff had shot several Shondaland projects over the past 20 years, beginning with the pilot for Grey's Anatomy and the pilot for How To Get Away With Murder. As the DP of How Stella Got Her Groove Back and Dirty Dancing, Jeff also had experience with shooting movies from a more feminine perspective. He likes what Shonda Rhimes has to say to the world about relationships and race, and the colorblind alternate history of 1813 presented in Bridgerton. The scripts are written with modern language, and the show had to feel modern but keep true to the Regency-era romantic beauty. He found it very exciting to shoot in England, where the streets and historic houses needed very little alteration to fit the time period, especially around Bath. Jeff's inspirations for the vibrant, colorful look of Bridgerton included Pride and Prejudice and Stanley Kubrick's historic movie Barry Lyndon. In fact, one of the locations Bridgerton used, Wilton House, was also used in Barry Lyndon. Much of Bridgerton was lit by candles, natural light, and balloon lights. It was necessary to shoot in historic buildings without touching the ceiling or moving the furniture. Fortunately, the UK crew was used to shooting in many of the locations and knew how to manage the restrictions. In the mid-1980's, Jeff had just moved to L.A. from Chicago, getting by shooting shorts and a few dramatic films, when one of the producers for Dirty Dancing saw his work on American Playhouse and hired him as the cinematographer. Jeff had no idea that 1987's Dirty Dancing would become his big break, and he's honored to have been a part of something that has become so iconic. It was shot on a very low budget and no one had very high expectations for how successful Dirty Dancing would become. Dance films such as Flashdance and Footloose had done well, but everyone involved in Dirty Dancing wanted the dancing in the movie to be authentic, performed by the actors, not with professional dance doubles, as the audience follows the main character's journey as she learns how to dance. Soon after Dirty Dancing, Jeff shot The Big Picture, Christopher Guest's directorial debut. The Big Picture was a huge flop, but it ended up having a following once it reached home video. The story follows Nick Chapman, a recent film school grad whose short film wins an award- but breaking into Hollywood is not that easy. Jeff loved the film because the plot really spoke to him. Growing up in Chicago, he always had a passion for filmmaking and while in high school, his film won him a scholarship to Columbia Film School. The Big Picture includes many short films, fantasy sequences and student films within the movie which were great fun to shoot. Jeff switched gears creatively to shoot The Last Seduction, an indie film from the 1990's that was an homage and reinvention of film noir directed by John Dahl. He went on to shoot romantic comedies How Stella Got Her Groove Back and My Big Fat Greek Wedding, which is still the highest grossing romantic comedy in U.S. history. Jeff began shooting television on the HBO series, Carnivale and he's found working in TV to be very rewarding. The mid-budget features Jeff used to work on have disappeared, and many of the directors he's worked with have moved into television, like John Dahl, who brought