Brian EnoEvery podcast appearance, updated as new ones drop

Brian Eno’s music opens up worlds I love to step into during trying times. And this conversation with Eno did the same thing. Eno is a trailblazing musician and producer who’s worked on seminal records by U2, David Bowie, the Talking Heads and Coldplay, among others. But Eno isn’t just a great collaborator with other artists; he’s also a great collaborator with machines. He’s been experimenting with music technology for decades. Long before we started worrying about ChatGPT replacing human creativity, Eno was tinkering with generative systems to pioneer ambient music – a genre that has deeply influenced how we listen to music today. Eno’s use (and playful misuse) of technology has expanded the possibilities of what music and sound can be. Many of you emailed in asking for a break from the news. Here it is. This episode contains strong language. Mentioned: What Art Does by Brian Eno and Bette Adriaanse East West Street by Philippe Sands Silence by John Cage Book Recommendations: Printing and the Mind of Man edited by John Carter and Percy H. Muir A Pattern Language by Christopher Alexander Naples ’44 by Norman Lewis Music Recommendations: The Rural Blues “The Velvet Underground” by the Velvet Underground The Consolers Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com. You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast , and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at <a href="https://www.nytimes.com/article/ezra-kl

Brian Eno is probably the musician, producer and artist who has had the single biggest influence on my music taste and enjoyment over the years. His work speaks for itself and needs no introduction ! So when I heard Emre Ramazanoglu talking on the Working Class Audio podcast about re-mixing and mastering many of Brian's classic albums for Dolby Atmos, my ears immediately pricked up. I just couldn't miss the chance to talk to him in more detail about working with Brian - and the amazing detective work that it involved. So in this episode Emre and I take a deep dive into this fascinating subject, talking about things like: "Audio archeology" – the challenges of mixing Eno's older material, and the unexpected solutions Emre found How mixing for Eno is different from Emre's usual workflow, even with brand new releases The lessons Emre learned - and why this might be what makes Eno such a great producer New immersive strategies Emre developed specifically for these albums... ...and how they're helping his stereo mixing as well ! Full links on our website: www. themasteringshow.com/episode-10 1 Mentioned in this episode: Learn to master ! Click HERE to see Ian's courses and mastering resources Leapwing Find out more about Leapwing's plugins Tools For Ian's mastering plugins, click HERE

Brian Eno-Totally Wired-The Complete Interview Brian Eno should need no introduction to any music fan. A member of Roxy Music , architect of Ambient Music, producer at the edges of Pop, his mark has been felt across music, from classical to rock and beyond. In 1987, I conducted the first of several interviews with Eno across three decades. Bits and pieces have been heard in the 80s radio series Totally Wired-Artists in Electronic Sound and on Echoes . But it has never been heard in its 64-minute entirety. Here’s the story. In the 1980s I produced a radio series called Totally Wired, Artists in Electronic Sound which contained interviews with Karlheinz Stockhausen , Tangerine Dream , Klaus Schulze , Depeche Mode , Kate Bush, Vangelis, Steve Roach and about 130 more artists across the music spectrum. It started in 1982, and it took us five years to snag Brian Eno, which we finally did in 1987. At that time, albums like Another Green World , Ambient 1-Music for Airports , and Apollo had already reshaped music concepts, and his latest release was 1985’s deeply ambient Thursday Afternoon. Also behind him was his Low-Heroes-Lodger collaborations with David Bowie . We talk a lot about those releases, as well as Oblique Strategies, his card set designed to prompt creativity. I conducted the interview in his apartment in the Kensington section of London. Brian sat in an heirloom-looking easy chair while I stuck my Electro-Voice 635A microphone in his face, switching it back and forth between us as we spoke. His manager, Anthea Norman-Taylor, prepared tea, of course. They would be married the next year. Settle in your own easy chair for this wide-ranging, deep dive into Brian Eno in the Echoes Podcast .

One fine day when Death comes. Two poets, David Byrne with Brian Eno and Mary Oliver. They tell us about the door they look forward to stepping through. One Fine Day David Byrne and Brian Eno When Death Comes Mary Oliver

This week, we speak to Leo Abrahams. Leo is a musician, composer and producer. Although classically trained, he left behind a degree in composition at the royal academy to play guitar for Imogen Heap, and later, Ed Harcourt as part of their touring bands. A chance encounter with production legend Brian Eno led to him assisting on a variety of projects, often helping to ‘finish’ the myriad of releases Brian would be working across. This led to him taking on more production roles and Leo has since built a fascinating C.V. that includes Frightened Rabbit, Wild Beasts, Katie Melua and Paolo Nutini. From his newly completed studio in east London he now divides his time between film and TV composition, session guitar work, solo albums, and of course, his production work. And it’s here we joined him to hear the story of his new studio, his serendipitous meeting with Mr Eno and what it’s like touring Siberia with a coach full of free jazz musicians… The Process of Production is presented by Lawrence Diamond and Bob Matthews . Lawrence cut his teeth playing and writing in Indie bands before finding international success and touring the world with his band CITIZENS! During that time he worked with a host of revered producers including Liam Howe, Mark Ralph and Alex Kapranos. Since the band ended in 2016 he’s been using that experience to help other artists develop their careers as a writer and producer while continuing to release his own music under various different guises. Bob learned his trade as the producer and multi-instrumentalist in Electronic Pop duo Alpines , whose career spans 3 albums, releases on major and indie record labels, shows with Florence + The Machine, The xx, Emeli Sandé, and a top 20 hit 'Tidal Wave' in collaboration with Sub Focus. In recent years he has turned his focus to producing other acts and has a studio in Chiswick in West London. If you have any feedback or questions, please email us: processofproductionpodcast@gmail.com Follow The Process of Production on Instagram @processofproduction If you like the podcast, please consider giving us a review on your podcast provider of choice! Thank you

A legendary artist, and one of the music world's great thinkers - Brian Eno is our first guest on series 2 of Sounds Like A Plan . In spring 2021 Eno co-founded EarthPercent an organisation designed to help direct funds from the music industry towards some of the the most effective climate causes. Hosts Fay Milton and Greg Cochrane joined Brian in a cupboard (explained in the podcast) at his west London studio to hear about how the project aims to accelerate action on climate, while also hearing Eno's thoughts on the steps being taken by his peers including Coldplay, U2, Billie Eilish and others. He also shares his thoughts on climate "hypocrisy", how art can help steer the perception of the climate issue and how he believes we should be talking about the emergency in terms of "opportunity". — Sounds Like A Plan series 2 is supported by Festival Republic. They put on festivals including the beautiful music, art and wellness festival Wilderness , being held in Oxfordshire in August 4-7 2022. Early bird tickets are available now: https://www.wildernessfestival.com/tickets/ — Links to things discussed in the podcast: Earth/Percent https://earthpercent.com/ ClientEarth https://www.clientearth.org/about/ — This episode's recommendations: Fay's recommendation Book: 'How To Spend A Trillion Dollars' by Rowan Hooper https://www.goodreads.com/book/show/54823535-how-to-spend-a-trillion-dollars Climate Music Blowout, London, 17 October 2021 - tickets https://www.climatemusicblowout.com/ Greg's recommendation ClimateLive 2021 https://www.instagram.com/climatelive2021/?hl=en The Earthshot Prize on BBC iPlayer https://www.bbc.co.uk/iplayer/episodes/p09w80wb/the-earthshot-prize-repairing-our-planet — This episode was partly recorded at Pirate studios. Pirate have modern and affordable recorded locations around the UK available to book 24/7. https://pirate.com/en/ — More from us on social media: I nstagram – @soundslikeaplanpodcast Fay Milton Twitter – @faymilton Instagram – @faymilton Greg Cochrane Twitter – @Gregcochrane --- Send in a voice message: https://anchor.fm/new-allotment/message

S2 - EP8: Client Earth special with James Thornton & Brian Eno It's our absolute pleasure to welcome two very special guests on this episode - environmental lawyer and author James Thornton, and legendary musician, artist and producer Brian Eno. They join us to discuss Client Earth and incredible organisation who in their own words; "believe a future in which people and planet thrive together isn't just possible - It's essential. We use the power of our laws to create seismic sustainable change for life on Earth" We hope you enjoy. Please rate and review. Thanks, Jon, Ed, and Mark. Get in touch with the show; Hello@jonandthefuturenauts.com TWITTER: @JANDTHEF A 'Keep it Light Media' Production All advertising, sale and PR enquiries: hello@keepitlightmedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian Eno's huge back catalogue of work as a solo musician, band member and producer goes back decades, including high-profile work with Roxy Music, Talking Heads, David Bowie, John Cale and many others. He is often credited with inventing ambient music, but this conversation between Juliet and Brian does not talk about the past. Instead, we focused on how Brian has adapted to new music, new technology, and neoliberalism, and what responsibilities artists have to acknowledge and use their cultural capital. SELECTED REFERENCES Works by Brian Eno Discreet Music (1975) Ambient 1: Music for Airports (1978) Spore (2008, video game soundtrack) - https://pitchfork.com/news/30187-brian-eno-makes-interactive-music-for-spore/ The Ship (2016) - https://www.youtube.com/watch?v=pn1riJSHhkY Reflection (2017) - https://www.youtube.com/watch?v=Dwo-tvmEKhk Bloom (with Peter Chilvers) - http://www.generativemusic.com/bloom.html Berlin Horse (dir. Malcolm Le Grice, 1970) - https://www.youtube.com/watch?v=LDj8Tc6259o Gavin Bryars, 'The Sinking of the Titanic' (1975, LP) - https://www.youtube.com/watch?v=2oVMRADOq5s David Byrne & Brian Eno, 'My Life in the Bush of Ghosts' (1981, LP) Anna Calvi Client Earth - https://www.clientearth.org/people/eno-brian/ Richard Dawkins DiEM25 - https://diem25.org/brian-eno-people-are-rethinking-what-democracy-means Mark Fisher (k-punk), 'Precarity and Paternalism' - http://k-punk.abstractdynamics.org/archives/011486.html Forensic Architecture - https://www.forensic-architecture.org gal-dem - http://gal-dem.com PAOLO GERBAUDO, The Digital Party (2019) - https://www.plutobooks.com/9780745335797/the-digital-party/ Stuart Hall Harmonia & Eno '76 - https://pitchfork.com/reviews/albums/20947-complete-works Jon Hopkins Long Now Foundation - http://longnow.org/seminars/02003/nov/14/the-long-now/ Lowly, 'Baglæns' (2018, song) - https://www.youtube.com/watch?v=S9ydgJenbQA Henri Matisse Media Reform Coalition - https://www.mediareform.org.uk/ Tom Rogerson, 'Finding Shore' (2017, LP) - https://www.youtube.com/watch?v=mxWMlK31Mpw Alexei Sayle Superflux - http://superflux.in Raymond Williams Liv Wynter - https://i-d.vice.com/en_uk/article/pamn9v/hero-of-the-week-liv-wynter-who-resigned-as-tate-artist-in-residence

Don Thrasher stops by for the first edition of a new segment dubbed “From the Used Bin,” where we find some underappreciated artists or works and discuss why they deserve more attention. This episode focuses on Brian Eno’s four mid-1970s vocal albums. Don talks about when he discovered these Eno albums (1:34) and gives a brief overview of what makes Eno such a unique figure in music history. We briefly talk about Smug Brothers latest album “ Disco Maroon “(7:03). The deep dives into the Eno albums kicks off with “Another Green World” (10:35), followed by “Here Come The Warm Jets” (16:51) “Taking Tiger Mountain (By Strategy)” (27:01) and finally touching on some of Eno’s producing credits and “Before and After Science” (35:24). These four Eno albums are also being re-released on 180 gram vinyl remastered for half-speed 45 RPM playback. For more info, click here . As always, thanks to Frontier Folk Nebraska for use of their track “Cut You Loose” as the theme music from their 2017 EP “ WARPIG “

Imagine Future (feat Brian Eno, Josh) Brian Peter George St John le Baptiste de la Salle Eno, RDI is an English musician, composer, record producer, singer, writer, and visual artist. Wikipedia. Josh is an anonymous Saxophone player. He plays the solo that accompanies Brian Eno. http://www.edoardosalazar.net