Mary Robinette Kowal

To celebrate Mary Robinette’s birthday today (!!), she is taking us inside the craft (and emotional engine) of her short story “With Her Serpent Locks,” using it as a case study in beginnings, control, and creative “leveling up.” Our hosts dig into grounding the reader through myth, pattern, and delayed information, and how a familiar framework can make readers feel both clever and cared for. The conversation unpacks how intentional choices—like withholding names, structuring scenes around question words, and planting details early—create trust and momentum. Along the way, we talk honestly about what it feels like when craft skills become internalized and a story finally clicks into ease. Homework: Take a strong emotion you’ve felt recently and describe it as a metaphor. Then use that metaphor as a writing prompt. Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here ! Credits: Your hosts for this episode were Marshall Carr, Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This week, Mary Robinette pulls back the curtain on some of fiction’s sneakiest power tools: tone and mood. Drawing from a recent craft class she taught for her Patreon, Mary Robinette breaks down how these elements shape a reader’s emotional experience—and why they deserve as much attention as plot or structure. DongWon, Erin, and Howard jump in to poke at the definitions, debate where tone and mood collide, and explore how contrast, character reactions, and even sentence rhythm can totally change a scene. Expect examples ranging from Wizard of Oz to Mike Flanagan as we dig into practical ways to use tone and mood to supercharge your storytelling. Homework: Take a five-part mystery structure (crime → investigation → twist → breakthrough → conclusion) and write a story that uses that structure but is not obviously a mystery . ANNOUNCEMENTS: Last Annual Cruise The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here . *Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here . Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses ? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Credits: Your hosts for this episode were Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

In this episode, Erin returns with the final two “rules” from her section of our forthcoming book Now Go Write —and why it might be worth breaking them. With DongWon and Mary Robinette, Erin explores the classic advice to “show, don’t tell,” and the debate over whether magic needs a system. We unpack when these conventions can strengthen a story—and when they can get in your way. Homework: Choose one of the four rules Erin covered across both “Break All The Rules” episodes (20.45 & 20.46) and rewrite a scene from your own work to deliberately break it. See what changes when you do. ANNOUNCEMENTS: Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses ? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Last Annual Cruise The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here . Credits: Your hosts for this episode were Erin Roberts, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We have an exciting announcement! Writing Excuses is publishing a book, Now Go Write , which will feature writing from all of our hosts! Sign up for our newsletter to learn when our book is coming out! So, for our next few episodes, we’ll have each host share one of the topics that they have written a chapter about for the book. Today, we’re starting with Mary Robinette, who will be covering the question of how to handle relationships. We explore how relationships can act like characters themselves—shifting, growing, or breaking under story pressure. Mary Robinette also introduces the “Kowal Relationship Axes” as a way to build believable dynamics and conflict between characters. We hope you come away with practical tools to write relationships that feel real, messy, and full of momentum. Homework: First, sign up for our newsletter to learn when our book is coming out! Then: who does your character love because of their flaws and why? Write an exploration scene where the character is exhibiting those flaws and the other character is watching that fondly. Then, write a different scene where one character is mad at the other and the flaws are pissing them off. ANNOUNCEMENTS: Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses ? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Last Annual Cruise The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here . Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: <a

We’re continuing our episodes focusing on our hosts’ personal writing practices. Like Mary Robinette’s. DongWon’s involves a bit of… chaos. DongWon’s day job as a literary agent is demanding and unpredictable, so they often have to fit in their writing process into their free time. They are also often collaborating with other authors and friends (often writing for games)—so how does all of this inform their unique writing process? Well, first DongWon thinks a lot about the time and space that surrounds their writing– how can they make a simple, low-stimulation environment so that they can better focus? And then when they’re ready to begin, they don’t start with an outline. Instead… well, we’ll let you listen and hear them explain it to you. Homework: Go sit somewhere. Don’t bring your phone or your headphones. Sit there until you feel the itch of irritation of doing nothing, and then push through it a little bit longer. Cultivate your boredom. Then, sit down and write. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

A lot of people ask published authors what their writing process is like, as if it is a key to being able to write. The only important process is the one that works for you. So, we’re going to let each of our hosts spend an episode explaining their own personal process. Our idea is that the best writing process is the one that works for you. Also, this is going to change over the course of your life and career. Today we’re learning about Mary Robinette’s writing process, which is built on having a totally random schedule. Homework: What helps you want to do the things that aren’t writing? For instance, the other tasks and joys in your life? Because the tools that you use for those, also work for writing. Is it lists, or spreadsheets, or body-doubling? Now, see if you can use those same things to help you write more. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

For our 20th season, we are focusing on this belief: that the lived experience that we all have affects the way we think about writing. We’ve all heard Mary Robinette talk about puppetry for seventeen (or so) seasons. Today, she dives into puppetry as a metaphor that helps her understand writing– specifically character, voice, and genre. And she invites you to start thinking about metaphors you can use and make in your own life to help you think about writing in a new way. Homework: Watch a puppet show. P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here . Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This episode was recorded live at our 2024 Writing Excuses Cruise. (Did you know that we host a writing retreat on a cruise every year!?! You can learn more at https://writingexcuses.com/retreats/ .) While on a boat in Mexico, we were joined by author Mark Oshiro and literary agent Kate McKean. In addition to our hosts, they answered questions that were asked by our cruise attendees. Our answers included things such as how much space a character should take up and how to find the balance between plot-focused and character-focused novels. We also tackled questions about worldbuilding, motivation, and deadlines. Homework: Ask someone a question about writing, either to learn more about what they're working on or to work through a project of your own. Sign up for our newsletter: https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Howard Tayler, Erin Roberts, Mark Oshiro, and Kate McKean. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

As we wrap up our Close Reading Series, we’re shifting our focus towards helping you integrate what you’ve learned. For December, we’ll be releasing episodes designed to help you make measurable progress on a writing project. So dust off your current work-in-progress, or pull out your brainstorming documents—we’re here to help you finish the year strong. What can we learn from romances? Today we’re talking about using elements of romance in your story (even if you have no romance in your current WIP!) Character relationships and dynamics are often at the heart of our stories, so what can we learn from the romance genre? We’re thinking about the power of one character putting another one at ease, a character dismissing another (“I’ll never be interested in you!”), or two characters finding a commonality between themselves. Mary Robinette also introduces us to her family’s theory of compatibility, which measures these M-words: mind, money, morals, manners, monogamy, and mirth. Thing of the Week: Ancient History Fangirl (podcast) Homework : In the scene you’re working on, what is one thing your character finds attractive about the other character in the scene? Also, what does your own character think is their own least attractive trait, and how can you make them more anxious about that right now? Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This episode, we’re talking about how important tension is in creating a world where your readers feel fully immersed. We talk about the importance of using tropes and techniques while also using variation in order to make your story less predictable. We dive into the difference between tension and conflict, and talk about how you can use the former to help the ladder. Tension can be found in movement, but also in inaction. We touch on tension's effect on try-fail cycles, inverted pyramids, and worldbuilding. Thing of the Week: The Night Guest by Hildur Knutsdottir (a novella translated by Mary Robinette Kowal) Homework : Take a look at your outline and move one of the major conflict points to a different act forward, and then try and move it to a later act. Consider how this changes the pacing and tension. Sign up for our newsletter: https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We sat down with CL Clark to talk about character—specifically, how they build different POV characters in the compressed space of a short story. We dive into plot processing (a tool CL Clark has learned from Mary Robinette!), how to specify the stakes of your world, and how to build distinct characters. Thing of the Week: Reasons Not To Worry: How to be Stoic in Chaotic Times by Brigid Delaney Homework : “4 Scenes About Power” — Write four scenes: (1) a scene in which your protagonist does something to someone else, (2) a scene in which someone does something for someone else, (3) a scene in which your protagonist has something done to them, and (4) a scene in which your protagonist does something with someone else. Liner Notes: Steering the Craft: A Twenty-First-Century Guide to Sailing the Sea of Story by Ursula K. Le Guin Close Reading Series: Texts & Timeline Next up is Tension! Starting September 1, we’ll be diving into Ring Shout by P. Djèlí Clark. Please note, this novella uses tools from the horror genre to add tension, and this can be intense for some readers! Sign up for our newsletter: https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal and Erin Roberts. Our guest was CL Clark. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We have a theory that we want to work through on today’s episode: agency is the ability to take action, whereas choices are more about the interior life of the character. We use Mary Robinette’s talking cat, try-fail cycles, and C.L. Clark’s Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home in order to examine this theory and its underpinnings. Thing of the Week: Marginalia by Mary Robinette Kowal (Uncanny Magazine) Homework : Create a scene in which your character has very little agency, but still must make a choice. Do your best to make that choice still feel critical. Liner Notes: Fluent pet buttons - Elsie the talking cat “We Are the Mountain: A Look at the Inactive Protagonist” by Vida Cruz Sign up for our newsletter: https://writingexcuses.com Credits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy