Felicity Jones

This week, Amon chats to Felicity Jones and director Clint Bentley about their lyrical new drama, TRAIN DREAMS (09:29), while we review the film (25:43) and see if we’ve been changed for the better by Jon M Chu’s musical part two, WICKED: FOR GOOD (35:23). Plus, in our HOT TAKE (46:09), we ask: who are today’s “new class of leading men”? If you would like to donate directly towards humanitarian aid in Gaza please visit: MAP Pre-Order Clarisse's Wes Anderson book ⁠here⁠ Tweet us @FadetoBlackPod on Twitter or DM @FadeToBlackPodcast on Instagram, Blue Sky and Reddit: https://www.reddit.com/r/fadetoblackpodcast/ Don't forget to subscribe, rate and review the podcast - it makes a difference! AMON: ⁠@Amonwarmann ⁠ CLARISSE: ⁠@clarisseloughrey⁠ HANNA: ⁠@hannainesflint⁠ Music by ⁠The Last Skeptik⁠

This week on The Filmmakers Podcast , host Dom Lenoir welcomes the team behind Netflix’s Train Dreams : Felicity Jones , Kerry Condon , Clint Bentley , and Joel Edgerton . Felicity Jones – celebrated for her roles in The Theory of Everything and Rogue One: A Star Wars Story – & Kerry Condon – Academy Award-nominated actor known for The Banshees of Inisherin and Better Call Saul discuss the actor-director relationship, rehearsals, and what it was like working on the project. Clint Bentley – acclaimed filmmaker behind Jockey and now director of Train Dreams – shares his perspective on shaping performances, cinematography, music, nature and how this project got made. Joel Edgerton – actor & producer – joins the conversation to discuss acting, modern technology, and the human condition. Together, they explore the making of Train Dreams. An inspiring and thought-provoking look behind the scenes of one of Netflix’s most anticipated films of the year. TRAIN DREAMS is out now! Links FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world. – And if you enjoyed the film, please take a moment to share & rate it on your favourite platforms. Every review & every comment helps us share the film’s important message with more people. Your support makes a difference! Help us out and Subscribe, listen and review us on iTunes, Spotify, Podbean or wherever you get your podcasts but more importantly, tell your pals about this podcast. Thank you! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH . https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/ PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and f

Send a text Harry is joined today with Tonic Patient Felicty Jones. Felicity is over 2 years post procedure and in this podcast we talk about weight gain after pregnancy, mental health benefits to surgery alongside how she over came regain to become physically healthier and more confident than ever. Tonic. Giving Back Lives

Brady Corbet ’s The Brutalist is epic. In fact, it’s a three hour and 35 minute epic that afforded Felicity Jone s a rather unique performance opportunity. Her character, Erzsébet Tóth, doesn’t appear on screen until about halfway through the film, after its 15-minute intermission. The Brutalist begins by focusing on Adrien Brody ’s László Toth, a famous architect who flees post-war Europe with hopes of building a new life in America. Separated from his wife, Jones’ Erzsébet, during the war, he settles in Pennsylvania alone with hopes she’ll join him there soon. Eventually, László gets what appears to be a dreamy offer from a wealthy industrialist, Guy Pearce ’s Harrison Lee Van Buren. After coming to learn about László’s famed work overseas, Harrison hires him to craft his own dream project, to build a grand scale community center in honor of his late mother. It’s an opportunity for László to establish a foundation in his new home no doubt, but it’s also one that’s riddled with complications involving legacy and power. While Jones may not appear on screen during that period, Erzsébet’s presence is felt via her own voice over and what she means to László. Essentially, the audience spends half the film awaiting her arrival and fantasizing about how it might play out. When the moment does finally come, anticipation is through the roof, and Jones makes the most of it. When Erzsébet enters the picture, alongside their niece Zsófia ( Raffey Cassidy ), it quickly becomes abundantly clear that she is an undeniable force determined to build the best possible life for her family in their new home. With The Brutalist now playing in select theaters, Jones joined me for a Collider Ladies Night interview to revisit the path she’s carved for herself in cinema thus far, and to discuss making The Brutalist with Corbet, including her experience working on one particularly intense emotional beat that might very well be one of the best scenes of 2024. Hosted on Acast. See acast.com/privacy for more information.

‘Goblin Market’ was the title poem of Christina Rossetti’s first collection, published in 1862, and while she disclaimed any allegorical purpose in it, modern readers have found it hard to resist political interpretations. The poem’s most obvious preoccupation seems to be the Victorian notion of the ‘fallen woman’. When she wrote it Rossetti was working at the St Mary Magdalene house of charity in Highgate, a refuge for sex workers and women who had had non-marital sex. Anxieties around ‘fallen women’ were explored by many writers of the day, but Rossetti's treatment is striking both for the rich intensity of its physical descriptions and the unusual vision of redemption it offers, in which the standard Christian imperatives are rethought in sisterly terms. Seamus and Mark discuss how post-Freudian readers might read those descriptions and what the poem says about the place of the ‘market’ in Victorian society. Read the poem here: https://www.poetryfoundation.org/poems/44996/goblin-market This episode features a full reading of 'Goblin Market' by Shirley Henderson and Felicity Jones at the Josephine Hart Poetry Hour. Watch the reading here: https://www.youtube.com/watch?v=mMnHW9MevJk Find more about the Josephine Hart Poetry Foundation here: https://www.thepoetryhour.com/foundation Subscribe to Close Readings: In Apple Podcasts, click 'subscribe' at the top of this podcast to unlock all the episodes; In other podcast apps here: https://lrb.me/ppsignup Read more in the LRB: Penelope Fitzgerald: https://www.lrb.co.uk/the-paper/v04/n05/penelope-fitzgerald/christina-and-the-sid Jacqueline Rose: https://www.lrb.co.uk/the-paper/v17/n20/jacqueline-rose/undone-defiled-defaced John Bayley: https://www.lrb.co.uk/the-paper/v16/n06/john-bayley/missingness Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

‘Goblin Market’ was the title poem of Christina Rossetti’s first collection, published in 1862, and while she disclaimed any allegorical purpose in it, modern readers have found it hard to resist political interpretations. The poem’s most obvious preoccupation seems to be the Victorian notion of the ‘fallen woman’. When she wrote it Rossetti was working at the St Mary Magdalene house of charity in Highgate, a refuge for sex workers and women who had had non-marital sex. Anxieties around ‘fallen women’ were explored by many writers of the day, but Rossetti's treatment is striking both for the rich intensity of its physical descriptions and the unusual vision of redemption it offers, in which the standard Christian imperatives are rethought in sisterly terms. Seamus and Mark discuss how post-Freudian readers might read those descriptions and what the poem says about the place of the ‘market’ in Victorian society. Read the poem here: https://www.poetryfoundation.org/poems/44996/goblin-market This episode features a full reading of 'Goblin Market' by Shirley Henderson and Felicity Jones at the Josephine Hart Poetry Hour. Watch the reading here: https://www.youtube.com/watch?v=mMnHW9MevJk Find more about the Josephine Hart Poetry Foundation here: https://www.thepoetryhour.com/foundation Subscribe to Close Readings: In Apple Podcasts, click 'subscribe' at the top of this podcast to unlock all the episodes; In other podcast apps here: https://lrb.me/ppsignup Read more in the LRB: Penelope Fitzgerald: https://www.lrb.co.uk/the-paper/v04/n05/penelope-fitzgerald/christina-and-the-sid Jacqueline Rose: https://www.lrb.co.uk/the-paper/v17/n20/jacqueline-rose/undone-defiled-defaced John Bayley: https://www.lrb.co.uk/the-paper/v16/n06/john-bayley/missingness Hosted on Acast. See acast.com/privacy for more information.

In this episode we soar into new heights, with guest Felicity Jones, and her new film The Aeronauts. Plus, we get in to the story of Noah Baumbach's new one on marriage. Noah Baumbach, director of The Squid and the Whale and The Meyerowitz Stories, returns with a new family drama that ranks among his very best, and is a front runner for acting awards over the coming months. This one’s about a stage director (played by Adam Driver) and his wife, an actress played by Scarlett Johansson, as they struggle through a gruelling, coast-to-coast divorce that pushes them to their personal and creative extreme. In The Aeronauts, it's 1862 and scientist James Glaisher (Eddie Redmayne) and widow Amelia Wren (Felicity Jones) embark on a remarkable mission to go where no human has gone before: 37,000 feet into the sky in a hot air balloon. As they begin their journey into the unknown, we flash back to their reasons for taking this momentous step... Battling weather conditions and their uncertain vessel, can the two return to Earth safely? Discussing the films this week are Jake Cunningham, Sam Howlett, Kelly Powell and Ella Kemp Follow the team on Social Media: @jakehcunningham - Jake @samhowlett_1 - Sam @ks_powell - Kelly @ella_kemp - Ella Produced by Jake Cunningham Edited by Mark Towers 
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This episode we talk to Felicity Jones about reuniting with Eddie Redmayne on The Aeronauts , chat with director Bill Condon about his new thriller, The Good Liar – and he weighs in on that Marvel debate begun by Scorsese – plus we review Doctor Sleep , The Aeronauts and Terminator: Dark Fate . Plus we reveal the times interviews have gone wrong...

Edith Bowman and Clarisse Loughrey sit in for Simon and Mark. Felicity Jones talks about her new film On The Basis Of Sex. Plus the UK Box Office Top 10 and reviews including On The Basis Of Sex, Cold Pursuit and Capernaum. Download the Kermode and Mayo podcast from the BBC Sounds app. Email: mayo@bbc.co.uk Text: 85058 (charged at your standard network rate) Twitter: @wittertainment A Somethin' Else production.

Felicity Jones talks to Simon about Rogue One: A Star Wars Story. Plus the UK Box Office Top 10 and Mark reviews the week's new films including Rogue One, The Eagle Huntress and Through The Wall. Download the Kermode and Mayo podcast at bbc.co.uk/podcasts/5live. Email: mayo@bbc.co.uk Text: 85058 (charged at your standard network rate) Twitter: @wittertainment.