Robin James

In Good Vibes Only: Phenomenology and the Biopolitics of Algorithmic Legitimation, Robin James argues that “vibes” have become a way for how we see ourselves and understand our tastes, as well as how corporations and governments see us in order to categorize and control. Vibes, according to James, are an orientation that situate beings and things in space with others, closer to some things than others, facing is certain directions, and more likely to be grouped together. Drawing from a diverse set of theoretical and methodological perspectives, including continental feminist philosophy, critical philosophy of race, phenomenology, and popular music stud...

In Good Vibes Only: Phenomenology and the Biopolitics of Algorithmic Legitimation, Robin James argues that “vibes” have become a way for how we see ourselves and understand our tastes, as well as how corporations and governments see us in order to categorize and control. Vibes, according to James, are an orientation that situate beings and things in space with others, closer to some things than others, facing is certain directions, and more likely to be grouped together. Drawing from a diverse set of theoretical and methodological perspectives, including continental feminist philosophy, critical philosophy of race, phenomenology, and popular music stud...

In Good Vibes Only: Phenomenology and the Biopolitics of Algorithmic Legitimation, Robin James argues that “vibes” have become a way for how we see ourselves and understand our tastes, as well as how corporations and governments see us in order to categorize and control. Vibes, according to James, are an orientation that situate beings and things in space with others, closer to some things than others, facing is certain directions, and more likely to be grouped together. Drawing from a diverse set of theoretical and methodological perspectives, including continental feminist philosophy, critical philosophy of race, phenomenology, and popular music stud...

In Good Vibes Only: Phenomenology and the Biopolitics of Algorithmic Legitimation, Robin James argues that “vibes” have become a way for how we see ourselves and understand our tastes, as well as how corporations and governments see us in order to categorize and control. Vibes, according to James, are an orientation that situate beings and things in space with others, closer to some things than others, facing is certain directions, and more likely to be grouped together. Drawing from a diverse set of theoretical and methodological perspectives, including continental feminist philosophy, critical philosophy of race, phenomenology, and popular music stud...

In Good Vibes Only: Phenomenology and the Biopolitics of Algorithmic Legitimation, Robin James argues that “vibes” have become a way for how we see ourselves and understand our tastes, as well as how corporations and governments see us in order to categorize and control. Vibes, according to James, are an orientation that situate beings and things in space with others, closer to some things than others, facing is certain directions, and more likely to be grouped together. Drawing from a diverse set of theoretical and methodological perspectives, including continental feminist philosophy, critical philosophy of race, phenomenology, and popular music stud...

In Good Vibes Only: Phenomenology and the Biopolitics of Algorithmic Legitimation, Robin James argues that “vibes” have become a way for how we see ourselves and understand our tastes, as well as how corporations and governments see us in order to categorize and control. Vibes, according to James, are an orientation that situate beings and things in space with others, closer to some things than others, facing is certain directions, and more likely to be grouped together. Drawing from a diverse set of theoretical and methodological perspectives, including continental feminist philosophy, critical philosophy of race, phenomenology, and popular music stud...

In Good Vibes Only: Phenomenology and the Biopolitics of Algorithmic Legitimation, Robin James argues that “vibes” have become a way for how we see ourselves and understand our tastes, as well as how corporations and governments see us in order to categorize and control. Vibes, according to James, are an orientation that situate beings and things in space with others, closer to some things than others, facing is certain directions, and more likely to be grouped together. Drawing from a diverse set of theoretical and methodological perspectives, including continental feminist philosophy, critical philosophy of race, phenomenology, and popular music stud...

"Music and philosophy" is often about Nietzsche and Wagner, or Kant and Mozart. But, in Robin James's work, it can also be about pop, and feminist theory, and Peloton playlists. A conversation about Dr. James's approach towards philosophy, with a focus on her new project on the musical and cultural implications of our contemporary focus on "vibes." Robin James is Editor for Philosophy & Media Studies, Palgrave Macmillan Show notes and more over at soundexpertise.org ! Questions? Thoughts? Email soundexpertise00@gmail.com or tag Will on Instagram/Twitter @seatedovation