Marco BeltramiEvery podcast appearance, updated as new ones drop

Marco Beltrami is a two-time Oscar nominated and Emmy winning composer. He has collaborated with many iconic film directors including Kathryn Bigelow, James Mangold, Robert Rodriguez, Tommy Lee Jones, and John Woo. He established an early reputation as a genre innovator with his non-traditional horror scores for the Scream franchise. Recently he proved again to be a champion in the genre with his scores for the Fear Street trilogy. Marco Beltrami has written music for films such as 3:10 to Yuma, Logan, The Hurt Locker, Ford v. Ferrari, A Quiet Place I and II and many more. Most recently, Beltrami worked again with director John Woo on his action spy-thriller The Killer . In this new edition of Composer Talk we talk to composer Marco Beltrami about this latest film The Killer. We talk in-depth about the music but also about the song Introuvable that he co-wrote. Next to the Killer Marco talks about his scores for the Fear Street trilogy. Enjoy listening!

On The Music Buds Podcast, Henry had the chance to speak to Oscar-nominated composer Marco Beltrami — known for a number of acclaimed works including Ford vs. Ferrari, A Quiet Place, Logan, Turn: Washington's Spies, World War Z, The Hurt Locker, 3:10 to Yuma, and Scream — is here to chat about his legendary career. Make sure to subscribe to The Music Buds to get more interviews like this one! 0:00 - Intro: Welcome 1:31 - Interview: Marco Beltrami 15:30 - Outro: Donate @ TheMusicBuds.com Patreon: Patreon.com/TheBuds Website: TheMusicBuds.com Email: TheMusicBudsPodcast@gmail.com Twitter: @TheMusicBuds Instagram: @TheMusicBudsPodcast The Film Buds: TheFilmBuds.com You Don't Need Anyone: YouDontNeedAnyone.com

Interview: Marco Beltrami (Composer, LOGAN)(8th March 2017) The latest installment of 20th Century Fox's X-MEN franchise is a radical departure from the past cinematic adventures of the mutant community - you could say that James Mangold's LOGAN is a departure from the superhero movie genre as a whole. Meditative, emotional, visceral and very, very violent, it acts more as a discussion on legacy and not-so-much as the passing on of a torch as how it feels to know that your flame is inevitably dying, especially for one as seemingly immortal at Hugh Jackman's Wolverine. One of the key elements to the film is the sharp and angular composition of Academy Award-nominated Marco Beltrami who has come up with something entirely unexpected for LOGAN: a score that swings between delicate and haunting themes, harking back to cinema past, to vicious and dirty experimental tonal pieces which certainly gets as under your skin as Wolverine's adamantium claws. AEISD's Leonard Sultana was incredibly lucky to get the chance to talk to Marco about the production of LOGAN, about the collaborative relationship he had with his director, and about what it took to put the steel back into the superhero movie...

Interview: Marco Beltrami (Composer, LOGAN)(8th March 2017) The latest installment of 20th Century Fox's X-MEN franchise is a radical departure from the past cinematic adventures of the mutant community - you could say that James Mangold's LOGAN is a departure from the superhero movie genre as a whole. Meditative, emotional, visceral and very, very violent, it acts more as a discussion on legacy and not-so-much as the passing on of a torch as how it feels to know that your flame is inevitably dying, especially for one as seemingly immortal at Hugh Jackman's Wolverine. One of the key elements to the film is the sharp and angular composition of Academy Award-nominated Marco Beltrami who has come up with something entirely unexpected for LOGAN: a score that swings between delicate and haunting themes, harking back to cinema past, to vicious and dirty experimental tonal pieces which certainly gets as under your skin as Wolverine's adamantium claws. AEISD's Leonard Sultana was incredibly lucky to get the chance to talk to Marco about the production of LOGAN, about the collaborative relationship he had with his director, and about what it took to put the steel back into the superhero movie...