Daniel LanoisEvery podcast appearance, updated as new ones drop

Season 9 kicks off with an epic 2-part conversation with engineer/producer Mark Howard. Mark has been behind the console for some of the greatest and most sonically interesting albums of the past 40 years - Emmylou Harris “Wrecking Ball”, Dylan’s “Time Out Of Mind”, Willie Nelson’s “Teatro”, Chris Whitley, Neil Young, Tom Waits, Lucinda WIlliams and many more. While he is most often associated with Daniel Lanois as his engineer, Mark has gone off on his own to become one of the most respected producers in the business. It’s quite a run for yet another kid from Hamilton, Ontario whose career kicked off creating the sonics for The Neville Brothers classic “Yellow Moon” and went on from there. We get into some of his many projects, and talk about some of the interesting locations that he and Lanois set up shop in over the years. There’s some fascinating stories here and quite a few of them I’d never heard before, even as a total music nerd. This was a hefty conversation, so it’s broken into 2 parts. Part 2 will come out 1 week from today. Mark doesn’t have a website, but he is quite active on social media, so you can find him there. Be sure to check out his 2 books and look for the new documentary film about his incredible career. Enjoy Part 1! This season is brought to you by our main sponsors Larivée Guitars , Audeze , Izotope , Fabfilter , and Chase Bliss . Hosted on Acast. See acast.com/privacy for more information.

Daniel Lanois-Past, Present, Piano: The Echoes Interview John Diliberto and Daniel Lanois Daniel Lanois is the famed producer of U2 and collaborator with Brian Eno . He’s a a musician who is usually found behind an acoustic, electric and pedal steel guitars or a mixing console. But he has created an album of ambient piano works called Player, Piano . It will take you back to the piano ruminations of Harold Budd , who Lanois produced. We talk past, present and piano.

Whenever an artist goes into the studio, they hope for the best but expect the worst…you want it the album to sell and turn you into a global superstar with all the rights and privileges thereto…but there is no way to predict how the public will react to what you release… You can throw all the money you want a song, an album, a band and there is zero guarantee that it will be successful…yet people will always try because every once in a while, something remarkable happens… An album is a critical success…it turns into a commercial smash…and every once in a long, long while, it turns into a cultural phenomenon with an impact that lasts years, maybe decades… This is what happened to U2 and “The Joshua Tree”…before the record came out, everyone expected that the band was going to deliver the goods on a very good album…they did that… But then the record went on to sell somewhere beyond 25 million albums and is now considered to be one of the most significant rock releases of all time… This is beyond just lightning in a bottle...how did they do it?...for some of the answers, i turned to one of the people who co-produced the album…that would be Daniel Lanois…this is U2 and The Joshua Tree, thirty years later, part 2… Whenever an artist goes into the studio, they hope for the best but expect the worst…you want it the album to sell and turn you into a global superstar with all the rights and privileges thereto…but there is no way to predict how the public will react to what you release… You can throw all the money you want a song, an album, a band and there is zero guarantee that it will be successful…yet people will always try because every once in a while, something remarkable happens… An album is a critical success…it turns into a commercial smash…and every once in a long, long while, it turns into a cultural phenomenon with an impact that lasts years, maybe decades… This is what happened to U2 and “The Joshua Tree”…before the record came out, everyone expected that the band was going to deliver the goods on a very good album…they did that… But then the record went on to sell somewhere beyond 25 million albums and is now considered to be one of the most significant rock releases of all time… This is beyond just lightning in a bottle...how did they do it?...for some of the answers, i turned to one of the people who co-produced the album…that would be Daniel Lanois…this is U2 and The Joshua Tree, thirty years later, part 2… Learn more about your ad choices. Visit megaphone.fm/adchoices

On March 9, 1987—a little more than ten years after a bunch of kids met up in a Dublin kitchen—U2 released their fifth album…expectations were running pretty high…after establishing themselves with their first two albums, there was a leap ahead with the “War” album in 1983… But then came “The Unforgettable Fire” in 1984…that represented another leap forward…things seemed more sophisticated, stronger, bigger, better…much of the credit has to go to the new production team of Brian Eno and Daniel Lanois, guys who found new ways to bring new things from the band… The partnership worked so well that everyone agreed that they should work together on the next record, too…maybe they could take things even further, built up the band even bigger… The result was “The Joshua Tree”…it has sold somewhere north of 25 million copies, making one of best-selling albums of all time…it became a number one album in two dozen countries…five of the eleven songs were released as singles, several of which sold more than a million copies on their own… The tour in support of the record had to grow from arenas to stadiums…it resulted in a live record called “Live From Paris” and a documentary film called “Rattle and Hum”…and it earned U2 two Grammys: album of the year and group of the year… “The Joshua Tree” set the band up as one of the biggest in the world…and over the coming decade, they would become the biggest band in the world….the album has been studied at all levels of academia…its songs covered thousands of times…the material has even been adopted as hymns for modern church services… And later, in 2014, the album was added to the us library of congress as a recording considered to be “culturally, historically and aesthetically significant” … Wow…that’s a lot stuff to think about when it comes to just one single album…. doesn’t it make you curious about what went into making it?...that’s how I felt…so I thought I’d talk to one of the guys who was there with the band the whole time…let’s get his story on the making of “The Joshua Tree”…. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode of Innersleeve, we sat down with 7-time Grammy award-winning record producer, Daniel Lanois. He talks about his time working with U2, Bob Dylan, and Neil Young (among others) and how he helped produce music for the Red Dead Redemption II soundtrack. He also shares his thoughts on Billie Eilish, Cardi B and the rise of K-pop in North America. Cassius, Joe and Frank break down the interview and also share their thoughts on the passing of DMX.

Daniel Lanois is a multi grammy winning producer and engineer. He's worked with U2, Bob Dylan, Neal Young, Brian Eno, Peter Gabriel and Emmylou Harris to name a few. In addition to his production accolades, Daniel has consistently recorded, produced and toured his own solo efforts. Joe and Daniel discuss the benefits of playing arrangements live before recording the forthcoming record "Heavy Sun" and the sense of cooperation that the backing vocals bring to the record. Daniel gives us his thoughts on touring, what he's been up to in the last year and what he most looks forward to once we're post-pandemic. Most importantly Daniel reminds us that "joy has not gone out of fashion". Joe plays the new single "Power" and " (Under The) Heavy Sun" from the new record Heavy Sun, out March 19th. Enjoy. Music by Daniel Lanois and Joe Plummer. Episode sponsored by Izotope. Izotope.com Use Code Fret10 for a free month of Music Production Suite Pro and a 10% discount on all other software. visit https://www.izotope.com/en/lp/ruinous.html @thetourstories Mentioned in this episode: Schecter Guitars Distrokid Izotope