Agnieszka Holland

Der prominente Titelcharakter ihres jüngsten Werks begleitet sie schon fast ihr ganzes Leben, berichtet Agnieszka Holland. Vor Jahren adaptierte die polnische Filmemacherin adaptierte bereits Franz Kafkas "Der Prozess", damals noch als Fernsehfilm. Ihr abstraktes Charakterporträt des tschechischen Schriftstellers startet indes auf der großen Leinwand. Bevor Franz hierzulande in den Kinos anläuft feierte er seine Weltpremiere in Toronto und konkurrierte direkt danach im Wettbewerb von San Sebastián. Inmitten des Troubles des spanischen Film Festivals fand Holland Zeit für ein Gespräch mit Lidanoir über Kafkas Bedeutung in der Gegenwart und warum ein konventionelles Biopic nicht wirklich kafkaesk wäre.

Announcement: Our new membership, Reel Ruminators: A Movie-of-the-Month Discussion Club is now open for new members in July! Doors close on July 4 at 11:59 p.m. Find out more and reserve your spot by clicking here. ---- Alex Heeney interviews legendary Polish filmmaker Agnieszka Holland about her Venice Jury Prize-Winning film, Green Border . Holland discusses why she wanted to make the film, how it's in conversation with her other work, and why she chose to shoot it in black and white. Green Border is about the ongoing migrant crisis at the Polish-Belarusian border and the horrors happening there. Holland tells the story from multiple perspectives, including a family of refugees, a group of activists helping migrants, and the border guards, to give a picture of the complex and harrowing situation. >> Subscribe to our FREE newsletter for updates on the best new under-the-radar films and streaming theatre productions Follow Seventh Row on Twitter and Instagram. Read our articles at seventh-row.com . Follow Alex Heeney on Twitter and Instagram . For detailed show notes , visit the Seventh Row website . There is also an AI-generated transcript available. Show Notes Read Alex's interview with Agnieszka Holland on Spoor and her filmmaking approach Related Episodes Ep. 55 The Secret Garden - Comparing Adaptations Ep. 93 The films of Agnieszka Holland ( Europa Europa , Washington Square , Charlatan ) Ep. 104 A Masterclass with Agnieszka Holla

" Green Border " had its world premiere at the 2023 Venice International Film Festival, where it received critical acclaim for Director/Co-Writer Agnieszka Holland's harrowing depiction of the refugee crisis sweeping its way through the Belarus–European Union border. With stark black and white photography, intense performances and a vast but intimate scope that looks at how the crisis has impacted the lives of so many, the film stands out as one of the most controversial but important films of the year. Holland was kind enough to spend some time talking with us about her work on the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Kino Lorber. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Interview with Agnieszka Holland, director of "Green border", an approach of 150 minutes, black and white, on the refugees trying to reach Europe that cross the Polish-Bielorrussian border. The post "Green Border", Interview with director Agnieszka Holland appeared first on Fred Film Radio .

Interview with Agnieszka Holland, director of "Green border", an approach of 150 minutes, black and white, on the refugees trying to reach Europe that cross the Polish-Bielorrussian border. The post“Green Border”, Interview with director Agnieszka Hollandappeared first onFred Film Radio.

We are skipping and stimming with delight to welcome Australian filmmaker and producer Sophia Rose O'Rourke to the podcast today. Sophia talks us through her experiences as an autistic creative and how she has been using filmmaking to help discover and explore her own identity. We talk about her short film 'Danse Russe', based on William Carlos Williams' poem of the same name: https://www.poetryfoundation.org/poems/46483/danse-russe , and we spend some time dwelling on the barriers that autistic people can face when trying to make a space in the film industry. But we also celebrate the very rich strengths that the autistic way-of-thinking can bring to creative cinematic spaces. We then turn our attention the 1993 version of The Secret Garden directed by Agnieszka Holland and based on the novel by Frances Hodgson Burnett. Sophia recalls her love of the film from childhood and the recognition she felt through the protagonist, Mary. We also reflect on the film's depiction of disability, and the power dynamics that can sometimes arise between carers and dependants. After the recording, Sophia sent us a timely article on The Conversation about autism and employment. Have a read of it here: https://theconversation.com/how-do-we-make-workplaces-work-for-autistic-people-189572 Enormous thanks to Sophia for taking the time to talk to us and for suggesting The Secret Garden . You can follow Sophia on Twitter at https://twitter.com/auntie_sophie Do get in touch if you have any reactions to this episode!

Back in October 2019, we were privileged to host director Agnieszka Holland for a screening of EUROPA, EUROPA (1990), her brilliant account of the absurdities of fascism and war. With Criterion Channel just adding it to their lineup last week, we thought you might want to follow up your viewing of that with a listen of this Q&A.

Third Annual Polish Film Festival at the Anthology Film Archives where one of Poland's most prominent filmmakers, Agnieszka Holland appeared for a Q&A following the screening of Copying Beethoven.