Marc ForsterEvery podcast appearance, updated as new ones drop

Director Marc Forster discusses his new film, White Bird, with fellow Director Michael Pressman in a Q&A at the DGA theater in New York. In the conversation, he discusses the use of magical realism in the visuals of the film, filming in an empty Prague during the pandemic and working with young Actors to find character growth between the film’s time jumps. The film follows Julian, who struggles to fit in to his new school after being expelled for bullying a student. When his grandmother hears of his expulsion, she attempts to transform his outlook on life by sharing the story of her youth in Nazi-occupied France. See photos and a summary of this event below: https://dga.org/Events/2024/Dec2024/WhiteBird_QnA_1024

The world is thirsting for a little more kindness, and today’s AVAIL podcast guest, Marc Forster, has sought to give it in his upcoming film, White Bird. Marc shares how the message of love and kindness began as a seed in his heart and grew into a touching film set to hit theaters on October 4th. Marc discusses the central message of the film: love your neighbor, no matter the cost.

Marc Forster is a German-born filmmaker and screenwriter. He is best known for directing the films Monster's Ball (2001), Finding Neverland (2004), Stay (2005), Stranger than Fiction (2006), The Kite Runner (2007), Quantum of Solace (2008), and World War Z (2013).His breakthrough film was Monster's Ball (2001), in which he directed Halle Berry in her Academy Award-winning performance; the film also starred Billy Bob Thornton, Heath Ledger, and Peter Boyle. His next film, Finding Neverland (2004), was based on the life of author J.M. Barrie. The film was nominated for five Golden Globe Awards and seven Academy Awards, including Best Picture and Best Actor for Johnny Depp.Forster also directed the twenty-second James Bond film, Quantum of Solace. In 2013 he directed the film adaptation of the novel World War Z, starring Brad Pitt.His latest film is the remarkable A Man Called Otto. Based on the # 1 New York Times bestseller “A Man Called Ove,” A Man Called Otto tells the story of Otto Anderson (Tom Hanks), a grump who no longer sees purpose in his life following the loss of his wife. Otto is ready to end it all, but his plans are interrupted when a lively young family moves in next door, and he meets his match in quick-witted Marisol. She challenges him to see life differently, leading to an unlikely friendship that turns his world around. A heartwarming and funny story about love, loss, and life, A Man Called Otto shows that family can sometimes be found in the most unexpected places. A Man Called Otto stars Tom Hanks (Philadelphia, Forrest Gump, Cast Away), Mariana Treviño (Club the Cuervos), Rachel Keller (Fargo) and Manuel Garcia-Rulfo (The Magnificent Seven). The screenplay is written by Academy Award® nominee David Magee (Best Adapted Screenplay, Life of Pi, 2012; Best Adapted Screenplay, Finding Neverland, 2004) based upon the best-selling novel “A Man Called Ove” by Fredrik Backman, and the film A Man Called Ove by Hannes Holm. The film is being produced by Fredrik Wikström Nicastro, Rita Wilson, Tom Hanks, and Gary Goetzman. Enjoy my conversation with Marc Forster. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .

Marc Forster is a German-born filmmaker and screenwriter. He is best known for directing the films Monster's Ball (2001), Finding Neverland (2004), Stay (2005), Stranger than Fiction (2006), The Kite Runner (2007), Quantum of Solace (2008), and World War Z (2013). His breakthrough film was Monster's Ball (2001), in which he directed Halle Berry in her Academy Award-winning performance; the film also starred Billy Bob Thornton, Heath Ledger, and Peter Boyle. His next film, Finding Neverland (2004), was based on the life of author J.M. Barrie. The film was nominated for five Golden Globe Awards and seven Academy Awards, including Best Picture and Best Actor for Johnny Depp. Forster also directed the twenty-second James Bond film, Quantum of Solace. In 2013 he directed the film adaptation of the novel World War Z, starring Brad Pitt.His latest film is the remarkable A Man Called Otto. Based on the # 1 New York Times bestseller “A Man Called Ove,” A Man Called Otto tells the story of Otto Anderson (Tom Hanks), a grump who no longer sees purpose in his life following the loss of his wife. Otto is ready to end it all, but his plans are interrupted when a lively young family moves in next door, and he meets his match in quick-witted Marisol. She challenges him to see life differently, leading to an unlikely friendship that turns his world around. A heartwarming and funny story about love, loss, and life, A Man Called Otto shows that family can sometimes be found in the most unexpected places. A Man Called Otto stars Tom Hanks (Philadelphia, Forrest Gump, Cast Away), Mariana Treviño (Club the Cuervos), Rachel Keller (Fargo) and Manuel Garcia-Rulfo (The Magnificent Seven). The screenplay is written by Academy Award® nominee David Magee (Best Adapted Screenplay, Life of Pi, 2012; Best Adapted Screenplay, Finding Neverland, 2004) based upon the best-selling novel “A Man Called Ove” by Fredrik Backman, and the film A Man Called Ove by Hannes Holm. The film is being produced by Fredrik Wikström Nicastro, Rita Wilson, Tom Hanks, and Gary Goetzman. Enjoy my conversation with Marc Forster. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support .

Director Marc Forster discusses his new film, A Man Called Otto, with fellow director Taylor Hackford in a Q&A at the DGA theater in Los Angeles. In the conversation, Forster speaks about how he uses storyboards in his directorial process, his collaboration with Tom Hanks, and his approach to editing flashbacks in the film. The film tells the story of Otto, a cantankerous grouch who's given up following the death of his wife. When a new family moves in nearby, he meets his match in Marisol, a quick-witted young woman who challenges him to see life differently, leading to an unlikely friendship that turns his world around. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/January2023/AManCalledOtto_QnA_1222.aspx

As we head into the dog days of summer, BEHIND THE LENS heads back to the Hundred Acre Wood with Marc Forster, takes another look at PRETTY BAD ACTRESS with Nick Scown, and welcomes an industry stalwart and loving dad turned author Norm Aladjem. Kicking off this episode of #BTLRadioShow, we go back to the Hundred Acre Wood and hear what CHRISTOPHER ROBIN director MARC FORSTER had to say to film critic debbie elias about bringing Pooh and pals to life in CHRISTOPHER ROBIN. From a request by his own daughter to make a film she could watch ("a Pooh film", to be precise), to the dream of a lifetime working with the legendary composer and songwriter Richard Sherman, to cinematographic design of the film, and the gifts of Pooh and moviemaking, Marc has a lot to say! And speaking of a dad and his daughter, you'll love hearing what NORMAN ALADJEM has to say about FROM ME TO YOU: STORIES ABOUT LIFE, LOVE, FAMILY, FAITH AND NOW TO NEGOTIATE A BIGGER ALLOWANCE when he joins us during the first half of the show. Established producer and talent manager for many years, Norm "stumbled" into the art of becoming an author thanks to his love for his youngest daughter. A book comprised of 52 "love letters" written by a daddy to his then 11-year old little girl for her to read and understand when a bit older, the book is a "Must Read" not only for dads and daughters, but parents and children alike, and even adult children who can still benefit from some fatherly advice. As if filling the gap left in the world by the absence of a Robert Young in "Father Knows Best" or an Ozzie Nelson or Ward Cleaver or Andy Taylor, you'll hear the love and excitement in Norm as he talks about not only how FROM ME TO YOU came to be, but the subject matters and life lessons that fill the pages. My favorite? "The Color of Money". Engaging and entertaining, you don't want to miss hearing Norm. Then we revisit the pretty darn funny PRETTY BAD ACTRESS with writer/director/editor NICK SCOWN. Last week we met actress Heather McComb who stars in the film. This week we get Nick's take on the creative process, tapping into the zeitgeist of child actors trying to make their way as adult actors, outsiders trying to fit in, casting perfection, developing a visual tonal bandwidth complementary to the story and dialogue while finding the balance between drama and satire, and something all filmmakers will appreciate – the process of concurrently wearing the hats of directing and editing and the inherent trials and triumphs therein. http://behindthelensonline.net http://eliasentertainmentnetwork.com