Isabelle Huppert

The formidable Isabelle Huppert talks about "Visiting Hours", her second film with French director Patricia Mazuy, where her character, a prisoner's wife, forms an unlikely pair with a woman in a similar situation except not at all, played by Hafsia Herzi. The post "Visiting Hours", an interview with the actress Isabelle Huppert appeared first on Fred Film Radio .

The formidable Isabelle Huppert talks about "Visiting Hours", her second film with French director Patricia Mazuy, where her character, a prisoner's wife, forms an unlikely pair with a woman in a similar situation except not at all, played by Hafsia Herzi. The post“Visiting Hours”, an interview with the actress Isabelle Huppertappeared first onFred Film Radio.

Isabelle Huppert in "My New Friends" by André Téchiné at Berlinale 74 explores moral complexities and emotional turmoil. The post "My New Friends", interview with actress Isabelle Huppert appeared first on Fred Film Radio .

Isabelle Huppert in "My New Friends" by André Téchiné at Berlinale 74 explores moral complexities and emotional turmoil. The post“My New Friends”, interview with actress Isabelle Huppertappeared first onFred Film Radio.

Élise Girard, director and scriptwriter : "I think that's what cinema's for: to say very important, deep things. Every word has been very carefully chosen, it's very precise, like mathematics." The post "Sidonie in Japan", interview with director Élise Girard and actress Isabelle Huppert appeared first on Fred Film Radio .

Drag Race France host and season 12 alum Nicky Doll joins for a special mini recap of season 1 of the French spin-off, in which Nicky reveals that Isabelle Huppert was almost a guest judge, talks about the hilarious lip-sync numbers with audio that wasn't cleared for use in the United States, reacts to Kiddy Smile's critiques for Lolita Banana, and previews an emotional finale battle between Soa de Muse, La Grande Dame, and Paloma! Learn more about your ad choices. Visit megaphone.fm/adchoices

Two iconic French women are on the podcast. First time guest, long time I Know That Face editor and filmmaker in her own right Charline Fernandez joins us this week to talk the incomparable Isabelle Huppert. With a career stretching over nearly 50 years Huppert has been a constant in French and world cinema since her BAFTA winning breakthrough performance in La Dentelliere. She has worked in France, America, the Phillipines, South Korea, Italy, Cambodia and Russia with acclaimed directors from Michael Cimino to Paul Verhoeven to Hong Sang-soo. She has won Best Actress at Cannes for Michael Haneke's The Piano Teacher and was showered with awards in 2016 for both Verhoeven's Elle and Mia Hansen-Love's Things to Come, the former winning her a Golden Globe. Although best known for high-brow, complex films Huppert has appeared in the American action vehicle Dead Man Down, Neil Jordan's send-up of 90's thrillers Greta and also starred in the 11th season finale of Law & Order: SVU and an episode of French film industry themed sitcom Call My Agent. This episode is sponsored by the SEAI podcast 180 Degrees . Sign up to HeadStuff+ at headstuffpodcasts.com for the small price of €5 a month to unlock exclusive bonus episodes of I Know That Face. Charline's documentary Maria is available to stream here . Andrew Twitter: @Andrew_Carroll0 Stephen Twitter: @StephenPorzio Charline Instagram: @charline_frnndz Editor and Community Manager: Charline Fernandez I Know That Face Twitter: @IKnowThatFaceP1 / Instagram: @iknowthatface / Facebook: @iknowthatfacepod Intro and Outro Music: No Boundaries (motorik groove) by Keshco. Licence Featured Image Credit Learn more about your ad choices. Visit megaphone.fm/adchoices

Therapists' offices are supposed to be places where you can be both vulnerable and safe. But what happens when your therapist crosses a line? That happened to Julianna Baggott -- and she writes about it an an essay that's read by Isabelle Huppert ("Greta"). Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher . For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We're delighted to be joined by screen legend Isabelle Huppert on this weeks Curzon Podcast. Huppert has worked with the likes of Michael Haneke. David O Russell and Michael Cimino, and can be seen this week in Mia Hansen-Love's 'Things to Come'. Following up the acclaimed 'Eden', the film finds Huppert at the later stages of life, suddenly thrown in to chaos as her husband leaves and mother dies. Discussing the film are Sam, Jake and Helen, whilst Irene and Ryan had the pleasure of interviewing the film's star. Produced and edited by Jake Cunningham Music supplied by incompetech.com Studio services by CSRFM.com 
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Though we’re taught to compartmentalize historical movements into discrete events and dates, the truth (or what we know of it) is anything but. Four recent films— Apichatpong Weerasethakul’s Cemetery of Splendor, Jia Zhang-ke’s Mountains May Depart, Amos Gitai’s Rabin, the Last Day, and Laszlo Nemes’s Son of Saul—take very different but ambitious aesthetic approaches to historical trauma. FILM COMMENT Digital Editor Violet Lucca was joined by FILM COMMENT's Nicolas Rapold, The Nation critic Stuart Klawans, and New York Times and FILM COMMENT contributor J. Hoberman to discuss these films’ varying approaches, strengths, and blind spots. We also have a special interview with French icon Isabelle Huppert, who spoke with Yonca Talu about Guillaume Nicloux’s Valley of Love and working with Maurice Pialat and Claude Chabrol (with a few words about her next collaborator, Michael Haneke).