Dave Gahan podcast appearances

Aujourd'hui dans la Nouveauté Musique de Wave Radio- Brother de Humanist feat Dave Gahan.

Greg Gory with Dave Gahan Of Depeche Mode See omnystudio.com/listener for privacy information.

Booker and Stryker are joined by Dave Gahan and Martin Gore of Depeche Mode. They start off by expressing the feelings on their new song "Ghost Again" and new world tour. Additionally, what the city of Los Angeles means to them. They take some time to talk about the late great Andrew Fletcher and keeping with the album schedule as planned and moving forward, And how that all translated into "MementoMori" -Remember You Must die. They chat about the new HBO show "Last of Us" and the resurgence of their song "Never Let Me Down Again". To end their chat Booker and Stryker present another round of 'One MUST Go!' "Personal Jesus" or "Enjoy the Silence". Listen in to hear what they choose! See omnystudio.com/listener for privacy information.

www.facebook.com/nullandvoidmusik www.facebook.com/DaveGahan www.hfn-music.com www.facebook.com/hfnmusic www.youtube.com/user/hfnmusicTV www.twitter.com/hfn_music www.instagram.com/hfn_music Kurt Uenala has his fingerprints on more things than you may realize. While his name may be new to you, it’s possible you’ve come across collaborations he’s done under the moniker Null + Void, including Black Rebel Motorcycle Club, Moby, John Grant, The Kills, Woodkid and most notably, Dave Gahan and Depeche Mode Having worked in Gahan’s NYC studio for years, and traveling with Depeche Mode, Uenala became aware of one of Dave’s rituals. Sometimes a notebook and pen would come out. Something would get jotted down. But what? That remained a mystery. Uenala now calls Iceland home, so he’s no stranger to isolation, but what about city-dweller Gahan? The two kept in close touch during lockdown, sharing thoughts and ideas. “I always wondered what he was writing in the notebook,” Uenala says, “but I never pried. During one of our check-ins I eventually asked what he was scribbling down when he was off in some corner, or standing on his own, next to a studio window.” Gahan disclosed that they were thoughts, feelings, and observations that would likely never see the light of day. But then again, why not? Living during a lockdown is unquestionably difficult, but fortune also favors those who are bold in challenging times. Gahan sent Uenala a recording of him reciting something from the journal. In his studio, a decommissioned hospital situated on an Icelandic Fjörd, Kurt sat in front of a classic Oberheim synth with the recording, reacting to anything from the timbre of Gahan’s voice, to background noise. Inspiration also came from ambience in the black chapel in Uenala’s town, which has often acted as a natural reverb chamber when one was needed. Songs started to take shape, through a modified form of call and response. The confluence of tone, poem, and tone poem. Both artists were pleased with the results, and agreed that the prose had more of an impact in concert with the music than it did merely existing, on paper, hidden in a notebook. Work continued, and produced a collection of recitations set to soundscapes. “Longing,” “Get Out,” “GOD,” “I Think Not,” and a piece born from the first recording Gahan sent, “Cracks Are Showing,” were completed, then assembled as the Manuscript EP, which will be released on December, 16th. “I’m not sure why, or when, exactly, I wrote these short pieces. I knew they were never to be songs. I do know that they were written when I was alone. Sometimes in a hotel room. Where? I can’t recall. Sometimes standing by the ocean, or walking the beach in winter. Sometimes on the empty streets of New York City, during the lockdown. Always whilst feeling the beauty, power, and loneliness of a world beyond me.”

www.facebook.com/nullandvoidmusik www.facebook.com/DaveGahan www.hfn-music.com www.facebook.com/hfnmusic www.youtube.com/user/hfnmusicTV www.twitter.com/hfn_music www.instagram.com/hfn_music Kurt Uenala has his fingerprints on more things than you may realize. While his name may be new to you, it’s possible you’ve come across collaborations he’s done under the moniker Null + Void, including Black Rebel Motorcycle Club, Moby, John Grant, The Kills, Woodkid and most notably, Dave Gahan and Depeche Mode Having worked in Gahan’s NYC studio for years, and traveling with Depeche Mode, Uenala became aware of one of Dave’s rituals. Sometimes a notebook and pen would come out. Something would get jotted down. But what? That remained a mystery. Uenala now calls Iceland home, so he’s no stranger to isolation, but what about city-dweller Gahan? The two kept in close touch during lockdown, sharing thoughts and ideas. “I always wondered what he was writing in the notebook,” Uenala says, “but I never pried. During one of our check-ins I eventually asked what he was scribbling down when he was off in some corner, or standing on his own, next to a studio window.” Gahan disclosed that they were thoughts, feelings, and observations that would likely never see the light of day. But then again, why not? Living during a lockdown is unquestionably difficult, but fortune also favors those who are bold in challenging times. Gahan sent Uenala a recording of him reciting something from the journal. In his studio, a decommissioned hospital situated on an Icelandic Fjörd, Kurt sat in front of a classic Oberheim synth with the recording, reacting to anything from the timbre of Gahan’s voice, to background noise. Inspiration also came from ambience in the black chapel in Uenala’s town, which has often acted as a natural reverb chamber when one was needed. Songs started to take shape, through a modified form of call and response. The confluence of tone, poem, and tone poem. Both artists were pleased with the results, and agreed that the prose had more of an impact in concert with the music than it did merely existing, on paper, hidden in a notebook. Work continued, and produced a collection of recitations set to soundscapes. “Longing,” “Get Out,” “GOD,” “I Think Not,” and a piece born from the first recording Gahan sent, “Cracks Are Showing,” were completed, then assembled as the Manuscript EP, which will be released on December, 16th. “I’m not sure why, or when, exactly, I wrote these short pieces. I knew they were never to be songs. I do know that they were written when I was alone. Sometimes in a hotel room. Where? I can’t recall. Sometimes standing by the ocean, or walking the beach in winter. Sometimes on the empty streets of New York City, during the lockdown. Always whilst feeling the beauty, power, and loneliness of a world beyond me.”

www.facebook.com/nullandvoidmusik www.facebook.com/DaveGahan www.hfn-music.com www.facebook.com/hfnmusic www.youtube.com/user/hfnmusicTV www.twitter.com/hfn_music www.instagram.com/hfn_music Kurt Uenala has his fingerprints on more things than you may realize. While his name may be new to you, it’s possible you’ve come across collaborations he’s done under the moniker Null + Void, including Black Rebel Motorcycle Club, Moby, John Grant, The Kills, Woodkid and most notably, Dave Gahan and Depeche Mode Having worked in Gahan’s NYC studio for years, and traveling with Depeche Mode, Uenala became aware of one of Dave’s rituals. Sometimes a notebook and pen would come out. Something would get jotted down. But what? That remained a mystery. Uenala now calls Iceland home, so he’s no stranger to isolation, but what about city-dweller Gahan? The two kept in close touch during lockdown, sharing thoughts and ideas. “I always wondered what he was writing in the notebook,” Uenala says, “but I never pried. During one of our check-ins I eventually asked what he was scribbling down when he was off in some corner, or standing on his own, next to a studio window.” Gahan disclosed that they were thoughts, feelings, and observations that would likely never see the light of day. But then again, why not? Living during a lockdown is unquestionably difficult, but fortune also favors those who are bold in challenging times. Gahan sent Uenala a recording of him reciting something from the journal. In his studio, a decommissioned hospital situated on an Icelandic Fjörd, Kurt sat in front of a classic Oberheim synth with the recording, reacting to anything from the timbre of Gahan’s voice, to background noise. Inspiration also came from ambience in the black chapel in Uenala’s town, which has often acted as a natural reverb chamber when one was needed. Songs started to take shape, through a modified form of call and response. The confluence of tone, poem, and tone poem. Both artists were pleased with the results, and agreed that the prose had more of an impact in concert with the music than it did merely existing, on paper, hidden in a notebook. Work continued, and produced a collection of recitations set to soundscapes. “Longing,” “Get Out,” “GOD,” “I Think Not,” and a piece born from the first recording Gahan sent, “Cracks Are Showing,” were completed, then assembled as the Manuscript EP, which will be released on December, 16th. “I’m not sure why, or when, exactly, I wrote these short pieces. I knew they were never to be songs. I do know that they were written when I was alone. Sometimes in a hotel room. Where? I can’t recall. Sometimes standing by the ocean, or walking the beach in winter. Sometimes on the empty streets of New York City, during the lockdown. Always whilst feeling the beauty, power, and loneliness of a world beyond me.”

www.facebook.com/nullandvoidmusik www.facebook.com/DaveGahan www.hfn-music.com www.facebook.com/hfnmusic www.youtube.com/user/hfnmusicTV www.twitter.com/hfn_music www.instagram.com/hfn_music Kurt Uenala has his fingerprints on more things than you may realize. While his name may be new to you, it’s possible you’ve come across collaborations he’s done under the moniker Null + Void, including Black Rebel Motorcycle Club, Moby, John Grant, The Kills, Woodkid and most notably, Dave Gahan and Depeche Mode Having worked in Gahan’s NYC studio for years, and traveling with Depeche Mode, Uenala became aware of one of Dave’s rituals. Sometimes a notebook and pen would come out. Something would get jotted down. But what? That remained a mystery. Uenala now calls Iceland home, so he’s no stranger to isolation, but what about city-dweller Gahan? The two kept in close touch during lockdown, sharing thoughts and ideas. “I always wondered what he was writing in the notebook,” Uenala says, “but I never pried. During one of our check-ins I eventually asked what he was scribbling down when he was off in some corner, or standing on his own, next to a studio window.” Gahan disclosed that they were thoughts, feelings, and observations that would likely never see the light of day. But then again, why not? Living during a lockdown is unquestionably difficult, but fortune also favors those who are bold in challenging times. Gahan sent Uenala a recording of him reciting something from the journal. In his studio, a decommissioned hospital situated on an Icelandic Fjörd, Kurt sat in front of a classic Oberheim synth with the recording, reacting to anything from the timbre of Gahan’s voice, to background noise. Inspiration also came from ambience in the black chapel in Uenala’s town, which has often acted as a natural reverb chamber when one was needed. Songs started to take shape, through a modified form of call and response. The confluence of tone, poem, and tone poem. Both artists were pleased with the results, and agreed that the prose had more of an impact in concert with the music than it did merely existing, on paper, hidden in a notebook. Work continued, and produced a collection of recitations set to soundscapes. “Longing,” “Get Out,” “GOD,” “I Think Not,” and a piece born from the first recording Gahan sent, “Cracks Are Showing,” were completed, then assembled as the Manuscript EP, which will be released on December, 16th. “I’m not sure why, or when, exactly, I wrote these short pieces. I knew they were never to be songs. I do know that they were written when I was alone. Sometimes in a hotel room. Where? I can’t recall. Sometimes standing by the ocean, or walking the beach in winter. Sometimes on the empty streets of New York City, during the lockdown. Always whilst feeling the beauty, power, and loneliness of a world beyond me.”

www.facebook.com/nullandvoidmusik www.facebook.com/DaveGahan www.hfn-music.com www.facebook.com/hfnmusic www.youtube.com/user/hfnmusicTV www.twitter.com/hfn_music www.instagram.com/hfn_music Kurt Uenala has his fingerprints on more things than you may realize. While his name may be new to you, it’s possible you’ve come across collaborations he’s done under the moniker Null + Void, including Black Rebel Motorcycle Club, Moby, John Grant, The Kills, Woodkid and most notably, Dave Gahan and Depeche Mode Having worked in Gahan’s NYC studio for years, and traveling with Depeche Mode, Uenala became aware of one of Dave’s rituals. Sometimes a notebook and pen would come out. Something would get jotted down. But what? That remained a mystery. Uenala now calls Iceland home, so he’s no stranger to isolation, but what about city-dweller Gahan? The two kept in close touch during lockdown, sharing thoughts and ideas. “I always wondered what he was writing in the notebook,” Uenala says, “but I never pried. During one of our check-ins I eventually asked what he was scribbling down when he was off in some corner, or standing on his own, next to a studio window.” Gahan disclosed that they were thoughts, feelings, and observations that would likely never see the light of day. But then again, why not? Living during a lockdown is unquestionably difficult, but fortune also favors those who are bold in challenging times. Gahan sent Uenala a recording of him reciting something from the journal. In his studio, a decommissioned hospital situated on an Icelandic Fjörd, Kurt sat in front of a classic Oberheim synth with the recording, reacting to anything from the timbre of Gahan’s voice, to background noise. Inspiration also came from ambience in the black chapel in Uenala’s town, which has often acted as a natural reverb chamber when one was needed. Songs started to take shape, through a modified form of call and response. The confluence of tone, poem, and tone poem. Both artists were pleased with the results, and agreed that the prose had more of an impact in concert with the music than it did merely existing, on paper, hidden in a notebook. Work continued, and produced a collection of recitations set to soundscapes. “Longing,” “Get Out,” “GOD,” “I Think Not,” and a piece born from the first recording Gahan sent, “Cracks Are Showing,” were completed, then assembled as the Manuscript EP, which will be released on December, 16th. “I’m not sure why, or when, exactly, I wrote these short pieces. I knew they were never to be songs. I do know that they were written when I was alone. Sometimes in a hotel room. Where? I can’t recall. Sometimes standing by the ocean, or walking the beach in winter. Sometimes on the empty streets of New York City, during the lockdown. Always whilst feeling the beauty, power, and loneliness of a world beyond me.”

Happy 60th birthday (May 9th, 2022) to Dave Gahan, who as the lead singer of Depeche Mode since 1980, has enjoyed worldwide success. An amazing live band, Dave's voice, and stage presence are legendary, as is his brush with death. This is my memory of interviewing Dave Gahan for MTV in 1993. ⁠ ⁠ Hosted on Acast. See acast.com/privacy for more information. Support this podcast at — https://redcircle.com/pop-the-history-makers-with-steve-blame/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy Hosted on Acast. See acast.com/privacy for more information.

STEREOBAZA#461 Stereoigor на Просто Ради.О Damon Albarn / Blur Soulsavers ft Dave Gahan / Depeche Mode Elvis Presley Pet Shop Boys Karel Gott Paramore HalfNoise Nation of Language The Unsleeping OSNOVA # Еженедельно "автор и составитель" - музыкальный журналист и эксперт Stereoigor - представляет музыку, которая скоро становится must-have меломанов. STEREOBAZA — РАДИОШОУ №1 в Украине по рейтингу PromoDJ (2017 "Украина/за год"). Помимо новинок - информация о знаковых явлениях, лейблах о культовых фигурах актуальной музыкальной культуры: группах, исполнителях, продюсерах. Отдельного внимания аудио-гурманов заслуживает рубрика «Бонус-трек», посвященная раритетным версиям песен. Выходит с декабря 2011, в настоящий момент транслируется еженедельно на ПРОСТО РАДИ.О- на Просто Ради.о.1 (facebook.com/stereobaza), «стереогостями» радиошоу побывали такие деятели мировой музыкальной сцены: - Живая Легенда- Дэниел Миллер, основатель и глава MUTE Records (Fad Gadget, Depeche Mode, Moby, Goldfrapp, Nick Cave & The Bad Seeds, Einstürzende Neubauten) - Andy Fletcher - один из основателей Depeche Mode - Изобретатель жанра dub - легендарный Lee "Scratch" Perry - культовый лондонский продюсер и ди-джей Erol Alkan - создатель знаменитого берлинского инди-лейбла Morr Music Томас Морр - Группа De/Vision - Внучка изобретателя первого в мире электроинструмента — терменвокса — Льва Термена, легенда неоклассики Лидия Кавина, - Bonobo (Ninja Tune), - Jay-Jay Johanson , Robert Alfons/канадский синт-поп-проект TRUST, - James Lavelle / UNKLE, - Группы O.Children, Garden City Movement, HVOB, Crazy P и WhoMadeWho - Британский музыкант и продюсер Ghostpoet - Шотландский кинорежиссер Марк Казинс (Mark Cousins), "Atomic" (OST записан группой Mogwai) - Американский фрик-дуэт CocoRosie - Группы Metronomy, GusGus и Of Montreal - Трип-хоп икона Tricky - любимцы самых придирчивых музыкальных модников - британская группа ALT-J - Нидерландка KOVACS - Йохен Арбайт, EINSTÜRZENDE NEUBAUTEN (интервью by Stereoigor, записано в Берлине, ФРГ) - Британская группа HOT CHIP и её муз.идеолог Joe Goddard - Лидер BLOC PARTY - Kele Okereke - Фронтмен DEPECHE MODE - DAVE GAHAN (интервью by Stereoigor, записано в Милане, Италия) fb.com/stereobaza t.me/stereobaza stereobaza.com/audio STEREOBAZA#461 Stereoigor на Просто Ради.О Damon Albarn / Blur Soulsavers ft Dave Gahan / Depeche Mode Elvis Presley Pet Shop Boys Karel Gott Paramore HalfNoise Nation of Language The Unsleeping (ua) OSNOVA (ua)